video

Au revoir, Jerôme!

AU REVOIR JÉRÔME (without original soundtrack)
by Chloé Farr, Gabrielle Selnet and Adam Sillard

New soundtrack composed for the 11th International Film Music Competition

Composition for symphony orchestra

All Styles · Orchestral
Filmmusik in München & Salzburg
Chop Suey

An animation shortfilm by Marco Hakenjos and Johannes Flick
Music by Max I. Milian

All Styles · Ethnic
Filmmusic, Composer, Max I. Milian, Munich, Germany, fiilmakademie, baden-württemberg
Circus

A film by Linus Stetter
Music by Max I. Milian

All Styles · Sphere
Filmmusic, Composer, Max I. Milian, Munich, Germany, fiilmakademie, baden-württemberg
Die Kiste

Directed by Kyra Buschor
Recordings and Sounddesign by Max I. Milian

All Styles
Filmmusic, Composer, Max I. Milian, Munich, Germany, fiilmakademie, baden-württemberg
GAP

Directed by Viktor Stickel
Music by Max I. Milian

All Styles
Filmmusic, Composer, Max I. Milian, Munich, Germany, fiilmakademie, baden-württemberg
Happy Cattle

Inventor mary loves to make cows happy. But what for? Happy Cattle is a digital animation film based on a true story in the field of livestock research carried out by Temple Grandin, an autistic animal-scientist from the USA.

All Styles · Jazz
Filmmusic, Composer, Max I. Milian, Munich, Germany, fiilmakademie, baden-württemberg
The Foundling
composition for the
10th international film music competition Zürich 2022
All Styles · Orchestral
Filmmusik Komposition für Sinfonieorchester
Visual Music

Visual Music Workshop with Heike Sperling

Direction: Anja Hartmann, Maximilian Müller
Original Score: Max I. Milian

All Styles · Sphere
Filmmusic, Composer, Max I. Milian, Munich, Germany

Die Verwandlung

SÜDDEUTSCHE ZEITUNG 2009
"(...) Schrille Dissonanzen, mächtiges Synthesizer-Grollen, hämmernde Rhythmen im fast unerträglichen Staccato hatte Max I. Milian in seine kongeniale Bühnenmusik eingebaut. Sie verstärkt (...) und trägt das Ihre zur geballten Ladung Emotion bei, die die Zuschauer aufwühlt (...)"

SÜDDEUTSCHE ZEITUNG 2014
"(...) begleitet von der eindringlichen Musik Max I. Milians hatte das Werk (...) Premiere vor ausverkauftem (Haus.)(...) Eine Parabel von beklemmender Aktualität und zeitloser Gültigkeit. (...)"