All Styles

Directed by Curtis Reid Henderson
Original Score by Axel Tenner and Max I. Milian

Max I. Milian, Komponist, Arrangeur, Filmmusik München, Dokumentarfilm

Symphonic poems for large orchestra

Recording with the German Film Orchestra Babelsberg
under the musical direction of Jörg Iwer

 

Max I. Milian, Komponist, Orchester, Dirigent, München

AU REVOIR JÉRÔME (without original soundtrack)
by Chloé Farr, Gabrielle Selnet and Adam Sillard

New soundtrack composed for the 11th International Film Music Competition

Composition for symphony orchestra

Filmmusik in München & Salzburg

An animation shortfilm by Marco Hakenjos and Johannes Flick
Music by Max I. Milian

Filmmusic, Composer, Max I. Milian, Munich, Germany, fiilmakademie, baden-württemberg

A film by Linus Stetter
Music by Max I. Milian

Filmmusic, Composer, Max I. Milian, Munich, Germany, fiilmakademie, baden-württemberg

Animation by Linus Stetter
Original Score by Max I. Milian

Recording with the Slowakian Sinfonietta Zilina
Conducted by Max I. Milian

Max I. Milian, Komponist, Filmmusik, Orchester, Dirigent, München

Directed by Kyra Buschor
Recordings and Sounddesign by Max I. Milian

Filmmusic, Composer, Max I. Milian, Munich, Germany, fiilmakademie, baden-württemberg

Directed by Anne Zohra Berrached
Original Score by Max I. Milian

Recording with the chamber ensemble of Musikhochschule Stuttgart
conducted by Max I. Milian

Filmmusic, Composer, Max I. Milian, Munich, Germany, fiilmakademie, baden-württemberg

This is the second movement of SCHÖNBUCH SUITE.

It is written for the documentary WINTER IN SCHÖNBUCH directed by Matthias Siegle.

Recording with the German Film Orchestra Babelsberg
under the musical direction of Jörg Iwer

Max I. Milian, Komponist, Schönbuch-Suite, Orchester, Klassische Musik, München

FAUST I & II
Theater der Altstadt Stuttgart
Directed by Uwe Hoppe

URFAUST
Hoftheater Bergkirchen
Directed by Herbert Müller

theater_komponist_max-i-milian_faust-i
GAP

Directed by Viktor Stickel
Music by Max I. Milian

Filmmusic, Composer, Max I. Milian, Munich, Germany, fiilmakademie, baden-württemberg

Inventor mary loves to make cows happy. But what for? Happy Cattle is a digital animation film based on a true story in the field of livestock research carried out by Temple Grandin, an autistic animal-scientist from the USA.

Filmmusic, Composer, Max I. Milian, Munich, Germany, fiilmakademie, baden-württemberg

A film by Alexander Tsukernyk and Linus Stetter
Music by Max I. Milian

Filmmusic, Composer, Max I. Milian, Munich, Germany, fiilmakademie, baden-württemberg

Recordings with the Slowakian Sinfonietta Zilina
Conducted by Max I. Milian

Max I. Milian, Komponist, Filmmusik, Orchester, Dirigent, München

Symphonic poem in four movements for large orchestra

Recording with the German Film Orchestra Babelsberg
under the musical direction of Jörg Iwer

composition for the
10th international film music competition Zürich 2022
Filmmusik Komposition für Sinfonieorchester

Directed by Sabine G. Kufner
Original Score by Max I. Milian

Max I. Milian, Komponist, Filmmusik, München

Visual Music Workshop with Heike Sperling

Direction: Anja Hartmann, Maximilian Müller
Original Score: Max I. Milian

Filmmusic, Composer, Max I. Milian, Munich, Germany

This is the third movement of the SCHÖNBUCH SUITE.

It is written for the documentary WINTER IN SCHÖNBUCH directed by Matthias Siegle.

Recording with the German Film Orchestra Babelsberg
under the musical direction of Jörg Iwer

Max I. Milian, Komponist, Schönbuch-Suite, Orchester, Klassische Musik, München

HAVE YOURSELF A SWINGING CHRISTMAS

MÜNCHNER MERKUR 2022

Herausragende Interpreten und wunderschöne Musik

"(...) Stephan Holstein spielte Saxophon und Klarinette und führte charmant durch das beschwingte Programm mit Jazz-Arrangements von Max I. Milian, dem Haus- und Hof-Komponisten, Arrangeurs und Dirigenten des Theaters. Amerikanische Weihnachtslieder und neue Arrangements von traditionellen Weihnachtsmelodien wie „Stille Nacht“ oder „Leise rieselt der Schnee“ erklangen mit Swing, dazu südamerikanische Rhythmen und feine Jazz-Harmonien, klassisch modern interpretiert."

"(...) Mit Riesenapplaus bedankten sich die beglückten Zuhörer bei den Interpreten für den bezaubernden Premierenabend. Weihnachten kann kommen."

LESEN SIE HIER DIE GANZE KRITIK